Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | Impressions de Londres | ovan prins carl | Boslanders | portratt av ung kvinna eller dam i blatt | vart dagliga brod |
Related Artists:
LELY, Sir Peter
Dutch/English painter (b. 1616, Soest, d. 1680, London Dutch painter, draughtsman and collector, active in England. By a combination of ability and good fortune, he rapidly established himself in mid-17th-century London as the natural successor in portrait painting to Anthony van Dyck. Between van Dyck's death in 1641 and the emergence of William Hogarth in the 1730s, Lely and his successor, Godfrey Kneller, were the leading portrait painters in England. After the restoration of the monarchy in 1660, Lely dominated the artistic scene, and his evocation of the court of Charles II is as potent and enduring as was van Dyck's of the halcyon days before the English Civil War. Although Lely's reputation was seriously damaged by portraits that came from his studio under his name but without much of his participation, his development of an efficient studio practice is of great importance in the history of British portrait painting. The collection of pictures, drawings, prints and sculpture
Cornelis Janssens van Ceulen
(also Cornelius Jonson van Ceulen, Cornelius Johnson, Cornelis Jansz. van Ceulen and many other variants)(bapt. October 14, 1593, London - bur. August 5, 1661, Utrecht) was an English painter of portraits of Dutch or Flemish parentage. He has been described as "one of the most gifted and prolific portrait painters practising in England during the 1620s and 1630s". Janssens van Ceulen was born to Dutch or Flemish parents in London - his father had been a refugee from Antwerp, and the family had originated in Cologne. He was baptised at the Dutch church at Austin Friars, the son of Johanna le Grand and Cornelius Johnson. He may have been trained in the Netherlands, and was certainly influenced by other artists from the Netherlands, but he was active in England, at least from 1618 to 1643. In the 1620s, he lived and had his studio in Blackfriars, London, as did Anthony van Dyck; it was just outside the boundaries of the City of London, and so avoided the monopoly in the City of members of the London painters' Guild. He married Elizabeth Beke of Colchester in 1622. Janssens' son (Cornelius Janssens, junior) was born in 1634. He was also a painter. Janssens' daughter was married to Nicholas Russell of Bruges. Janssens moved to Canterbury in the mid 1630s, living with Sir Arnold Braems, a Flemish merchant. Janssens continued to live in England until after the outbreak of the English Civil War, but in October 1643, apparently at the insistence of his wife, he moved to Middelburg, and between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he was buried.
Henri Le Sidaner
(August 7, 1862 - July 1939) was an Intimist painter born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. He travelled extensively throughout France and also visited many cities around the globe such as London, New York, Venice and Paris as well as some small villages throughout Europe. Le Sidaner exhibited at the Salon, the Galeries Georges Petit in Paris and the Goupil Gallery in London. He lived in Gerberoy, France. Le Sidaner's work was mentioned in Marcel Proust's novel In Search of Lost Time. In Sodom and Gomorrah, the narrator mentions that an eminent barrister from Paris had devoted his income to collecting the paintings of the "highly distinguished" but "not great" Le Sidaner.